sometimes we have giveaways on facebook. here's an example...in fact, it's running now. you might win a tote bag and lemons from my lemon tree! meanwhile, please do pre-order THE LEMON ORCHARD.
sometimes we have giveaways on facebook. here's an example...in fact, it's running now. you might win a tote bag and lemons from my lemon tree! meanwhile, please do pre-order THE LEMON ORCHARD.
Please come see MOTHERHOOD OUT LOUD in the Berkshires to benefit the Berkshire Festival of Women Writers and WAM Theatre. I will be doing a talkback after the Friday 3/28 performance and would love to see you there. Jayne Atkinson will direct, and Jane Kaczmarek and Michael Gill (currently appearing as the president on "House of Cards") will star. Very excited and happy to see Jane again--she performed my monologue at the Geffen Playhouse in LA. My friend Susan Rose Lafer is producer; Joan Stein also produced, and I still miss her every day. MOTHERHOOD OUT LOUD continues to be a wild, wonderful ride. You can get tickets here.
Here is a note from Elizabeth Benedict: "I'm thrilled that Christy Turlington's fabulous organization EVERY MOTHER COUNTS chose WHAT MY MOTHER GAVE ME as its book club pick this week. Turlington writes about her favorite gift from her mother: 'While I am just grateful to still have my mother in my life, the gifts she gave me that mattered most were the ones she gave herself: Mothering my sisters and me, traveling the world and continuing her education. The fact that she was born in El Salvador provided me with an early connection to a larger world than the one I would have known otherwise...' Shout out to Judith Hillman Paterson, Luanne Rice, Elinor Lipman, Caroline Leavitt, Karen Karbo, and all the other wonderful contributors to the anthology."
Liz edited and wrote for WHAT MY MOTHER GAVE ME. My essay is Midnight Typing, about how my mother gave me the gift of...perhaps you'll read it.
I am touched by Christy Turlington's words about her favorite gifts from her mother, and about the important work she is doing. According to a story in The New York Times, the goal of her organization is to help "people understand that pregnancy and childbirth, even though it’s a joyous experience for so many women, really is a risky endeavor for millions of other women,” according to Erin Thornton, executive director, who happens to be expecting right now herself. “To this day, hundreds of thousands of women will die in pregnancy and childbirth, but 90 percent of those could be prevented just with basic, simple access to health care.”
Amazon • Apple • Barnes & Noble • IndieBound
Publishers Weekly review of The Lemon Orchard:
Still devastated by grief five years after the death of her husband and teenage daughter in a car accident, Julia hopes to find solitude and solace while house-sitting at her aunt and uncle’s California estate. Amid the lush landscapes and lemon groves of Malibu, Julia does find these things—in addition to an unexpected relationship with Roberto, who oversees the estate. Roberto, an undocumented immigrant, connects with Julia over her loss: he became separated from his young daughter during their crossing from Mexico and believes her to be dead. Julia, an anthropologist specializing in movements and migrations, thinks that the little girl is still alive and sets out to find her—even if doing so means potentially losing Roberto. The plot alternates from an initially tepid pace to moments of intensity—as when the estate is threatened—that seem largely irrelevant to the developing narrative. Nevertheless, Rice’s fans will appreciate the evocative setting and unconventional romance, as well as the harrowing, if familiar, depictions of border crossing and the fascinating parallels drawn between Julia’s research interests (she studies the Irish who arrived in America over a century ago) and modern-day Mexican immigrants. Agent: Andrea Cirillo, Jane Rotrosen Agency. (July)
Reviewed on: 06/03/2013
Love being mentioned in Liz Smith's great New York Social Diary column today. I'm right up there with Cher! #TheLemonOrchard
My essay Midnight Typing is included in the collection What My Mother Gave Me, edited by Elizabeth Benedict, and out now from Algonquin Books. Amazon • Apple • Barnes & Noble • IndieBound
Read MoreMy essay, An American Dream I Couldn't Share, appeared in the New York Times Modern Love column on July 5, 2013. It tells some of the story behind my novel The Lemon Orchard.
Thank you to Kris Phillips for this lovely review. I'm lucky to have such a supportive reader. I’ve been a huge fan of Luanne Rice’s novels for many years now and was thrilled when I won the first copy of her novel, The Lemon Orchard, in a contest on her Facebook page. I quickly devoured the wonderful book and was honored when Luanne asked me to review it for her blog. While Cloud Nine will always hold a special place in my heart as my favorite of her novels, The Lemon Orchard is now a close second. I love that Luanne believes in angels, in second chances, in the power of the human spirit, in true love and in the importance of family above all else – and she will make you a believer, too! Julia and Roberto’s story touched my heart so much; I didn’t want to put it down. As a mother to a little girl, my heart broke for them both for the loss of their daughters. The bond – the love – between these two lead characters is palpable. And the story of how Roberto and his young daughter, Rosa, try to cross the border into the United States from Mexico was so heart wrenching, I actually dreamt about it and woke up exhausted, my legs aching, my throat parched. No book has ever affected me like that! I’ve always had a strong opinion about illegal immigrants, but Luanne’s story changed my heart. I could not imagine what Roberto, Rosa and the others went through to try to make it into this country and a better life. Julia and Roberto not only find love with one another, but help to heal each other’s broken hearts over their mutual losses. While this book did leave me wanting more (don’t expect a “happily ever after” ending), it was a satisfying ending that touched my heart and gave me hope. I highly recommend this book to anyone who loves stories about the resiliency of the human spirit. It will not disappoint! Here’s hoping that Luanne is already working on a sequel.
By Kris Phillips
Amazon • Apple • Barnes & Noble • IndieBound
Roberto
September 2012 Before dawn, the air smelled of lemons. Roberto slept in the small cabin in the grove in the Santa Monica Mountains, salt wind off the Pacific Ocean sweetening the scent of bitter fruit and filling his dreams with memories of home. He was back in Mexico before he’d come to the United States in search of goodness for his family, in another huerto de limones, the lemon orchard buzzing with bees and the voices of workers talking, Rosa playing with her doll Maria. Maria had sheer angel wings and Roberto’s grandmother had whispered to Rosa that she had magic powers and could fly.
Rosa wore her favorite dress, white with pink flowers, sewn by his grandmother. Roberto stood high on the ladder, taller in the dream than any real one would reach. From here he could see over the treetops, his gaze sweeping the valley toward Popocatépetl and iztaccíhuatl, the two snow-covered volcanic peaks to the west. His grandmother had told him the legend, that the mountains were lovers, the boy shielding the girl, and tall on his ladder Roberto felt stronger than anyone, and he heard his daughter talking to her doll. In dream magic, his basket spilling over with lemons, he slid down the tree and lifted Rosa into his arms. She was five, with laughing brown eyes and cascades of dark curls, and she slung her skinny arm around his neck and pressed her face into his shoulder. In the dream he was wise and knew there was no better life, no greater goodness, than what they already had. He held her and promised nothing bad would ever happen to her, and if he could have slept forever those words would be true. Sleep prolonged the vision, his eyes shut tight against the dawn light, and the scent of limones enhanced the hallucination that Rosa was with him still and always. When he woke up, he didn’t waste time trying to hold on to the feelings. They tore away from him violently and were gone. His day started fast. He lived twenty-five miles east, in Boyle Heights, but sometimes stayed in the orchard during fire season and when there was extra work to be done. He led a crew of three, with extra men hired from the Malibu Community Labor Exchange or the parking lot at the Woodland Hills Home Depot when necessary. They came to the property at 8 a.m.
The Riley family lived in a big Spanish colonial–style house, with arched windows and a red tile roof, just up the ridgeline from Roberto’s cabin. They had occupied this land in western Malibu’s Santa Monica Mountains since the mid-1900s. While other families had torn up old, less profitable orchards and planted vineyards, the Rileys remained true to their family tradition of raising citrus. Roberto respected their loyalty to their ancestors and the land. The grove took up forty acres, one hundred twenty-year-old trees per acre, planted in straight lines on the south-facing hillside, in the same furrows where older trees had once stood. Twenty years ago the Santa Ana winds had sparked fires that burned the whole orchard, sparing Casa Riley but engulfing neighboring properties on both sides. Close to the house and large tiled swimming pool were rock outcroppings and three-hundred-year-old live oaks— their trunks eight feet in diameter—still scorched black from that fire. Fire was mystical, and although it had swept through Malibu in subsequent years, the Rileys’ property had been spared.
Right now the breeze blew cool off the Pacific, but Roberto knew it could shift at any time. Summer had ended, and now the desert winds would start: the Santa Anas, roaring through the mountain passes, heating up as they sank from higher elevations down to the coast, and any flash, even from a power tool, could ignite the canyon. It had been dry for two months straight. He walked to the barn, where the control panel was located, and turned on the sprinklers. The water sprayed up, catching rainbows as the sun crested the eastern mountains. it hissed, soft and constant, and Roberto couldn’t help thinking of the sound as money draining away. Water was delivered to the orchard via canal, and was expensive. The Rileys had told him many times that the important thing was the health of the trees and lemons, and to protect the land from fire.
He had something even more important to do before his coworkers arrived: make the coastal path more secure. He grabbed a sledgehammer and cut through the grove to the cliff edge. The summer-dry hillsides sloped past the sparkling pool, down in a widening V to the Pacific Ocean. Occasionally hikers crossed Riley land to connect with the Backbone Trail and other hikes in the mountain range. Years back someone had installed stanchions and a chain: a rudimentary fence to remind people the drop was steep, five hundred feet down to the canyon floor.
He tested the posts and found some loosened. Mudslides and temblers made the land unstable. He wished she would stay off this trail entirely, walk the dog through the orchard, where he could better keep an eye on them, or at least use the paths on the inland side of the property. But she seemed to love the ocean. He’d seen her pass this way both mornings since she’d arrived, stopping to stare out to sea while the dog rustled through the chaparral and coastal sage. He tapped the first post to set his aim, then swung the sledge- hammer overhead, metal connecting with metal with a loud gong. He felt the shock of the impact in the bones of his wrists and shoulders. Moving down the row of stanchions, he drove each one a few inches deeper into the ground until they were solidly embedded. The wind was blowing toward the house. He hoped the sound wouldn’t bother her, but he figured it wouldn’t. She rose early, like him.
Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from The Lemon Orchard by Luanne Rice. Copyright © 2013 by Luanne Rice
Amazon • Apple • Barnes & Noble • IndieBound
Advanced Review – Uncorrected Proof
Rice, Luanne (Author) Jul 2013. 304 p. Viking/Pamela Dorman, hardcover, $27.95. (9780670025275).
Trust Rice (Little Night, 2012), known for fiction that explores the power of family, to find the humanity in illegal immigration, a topic too often relegated to rhetoric and statistics. The story centers on Julia and Roberto, both of whom have suffered the loss of a daughter. Julia’s was killed in a car accident. Roberto’s little girl went missing as the pair crossed into the U.S. from Mexico—a trek through punishing desert that Rice depicts with visceral, heartbreaking brutality. The pair meet at the Malibu home of Julia’s aunt and uncle, where Julia is housesitting and Roberto oversees the titular orchard. An unlikely friendship forms between the two, a bond born out of shared grief, which eventually grows into a tender romance. Though Rice acknowledges the cultural chasm between her lovers, she also imbues her characters with uncommon kindness and understanding. Initially weighed down with exposition, Rice’s novel picks up steam as Julia takes up the search for Roberto’s daughter. An unexpected plot turn will leave readers begging for a sequel.
— Patty Wetli
Amazon • Apple • Barnes & Noble • IndieBound
While writing THE LEMON ORCHARD I listened to music that inspired me. These are songs of love, travel, connection, family, and crossing borders. Because the music meant so much to me and the characters I was creating, I wove the songs into the novel. They are songs of America, Mexico, and Ireland, by artists I have loved forever and others that were new to me.
I was introduced to some of the music by the man who inspired the character of Roberto. He comes from a small town outside Puebla, Mexico, and now he lives in East LA. The story between Roberto and Julia is passionate, and the music is the soundtrack to their love.
Because I wanted you to hear the songs, I put them together in a Spotify playlist. My own musical taste goes like this: if the song makes me feel something, goes into my heart, I'm there. I react to music with emotion--it makes me feel, remember, ache. Because this playlist says a lot about the novel, and because I wanted it to express my family's Irish roots and "Roberto's" Mexican roots, and because I wanted to include songs about immigration--ones I might not have heard before--I asked my friends Mark Lonergan and Becky Murray for suggestions.
Music and friendship are deeply linked. I've included two songs by my friend Garland Jeffreys. Becky and Mark both gave me excellent ideas--Mark, also my guitar teacher, introduced me to Tim O'Brien's music a while back--we went to see him perform at NYC's The Cutting Room back when it was in Chelsea and owned by Chris Noth. I think it's still owned by Chris Noth. Becky and her husband Ed suggested songs by Lady Gaga and Billy Walker. Those artists are on the playlist along with Bruce Springsteen, Lila Downs, Ry Cooder, Los Tigres Del Norte, Tom Morello, Alison Moorer, Juan Gabriel, The Chieftains, Lola Beltrán, Luis Miguel, Linda Ronstadt, Emmylou Harris, and others.
Thanks to Winnie De Moya of Viking Penguin for posting my Spotify playlist to my Pinterest The Lemon Orchard board.
For so long we were four. As someone who knows us well has said, I was the fourth cat. I think that is true. When you spend so much time with beings, and you are together most of the time, your species merge. I do know that I learned to speak their language. Cats are kindreds in the sense you never have to be your "best" (whatever that is) with them, and they meet you where you are on any given day, in any given mood. That has been true of my girls. They have sat on my desk through book after book, giving me love, being the best friends and companions.
Maya died on April 5. I called her Mae Mae for a long time, but when we moved to California she wanted to be called Maya and so that's what we called her. She was the sweetest, most loving kitty. I think back to when she was a kitten, those white whiskers and her bright green eyes, and the way she wanted to play and play.
Sickness never took the play out of her. She loved to take walks--back home in New York we would walk down the hallway of our apartment building, nothing much to see, but just being together as we strolled from one end of the hall to the other. She had the cutest habit of stopping, looking up to make sure I was following, taking a few more steps, glancing up again, continuing on.
In California I'd sometimes take her outside. I'm a believer in indoor kitties--too many dangers out in the world, and I am the biggest worrier around. I'd be afraid of coyotes, cars, hawks...but by the time we reached Malibu she had a diagnosis of lymphoma--the same disease that took Maggie and, decades ago, each of my parents--and I knew she didn't have long.
So one day when she stood at the screen door smelling the jasmine and salt scented air, I opened it up and let her out. I followed close by, never let her more than a few feet away. I had done the same for Maggie when, a year ago, she began to die.
Maya, like Maggie, loved those hours in the garden. We would sit together on the blue thing, and I can only imagine how good the warm sun felt on her black fur. Her hair had started falling out in patches--she wasn't having chemo so it couldn't have been from that, but she seemed to love the breeze and the fresh air. Heading back into the house she would stop on the stone path, glance back just the way she did in our Chelsea hallway walks, make sure I was right there, and keep going toward the house.
She died in my arms just past noon on April 5.
Each cat has her own story. Maggie was born on a sprawling farm of red barns and mountain laurel-covered hillsides in Old Lyme CT. Her mother was killed by foxes when Maggie was just days old, and this tiny kitten was taken into a stone wall and fed by a squirrel mother for just a few days--enough to keep her alive. A friend with super powers captured tiny Maggie--she was swift as a bird--and I fed her on a bottle, and she thought I was her mother, and we became each other's family.
Maggie was a wild kitty and I was a wild woman. This is true. My mother's life was ending, her long illness concluding, and my way of raging against the dying of the light was to behave as recklessly as possible.
Maggie was tiny and fast as a shooting star. She would hide in the most unlikely places. Once she disappeared so totally I thought she was gone forever, but then she jumped down the stone chimney into the fireplace and shook the soot off her fur--she had been hiding on the smoke shelf. Often I would climb into bed and find her under the covers--flattened and invisible to everyone but me.
Maya--"Mae Mae"--came into our lives when Maggie was one. She was also a rescue cat. I got her from Dr. Kathy Clarke, a vet in Old Lyme. Maya was the daughter of a brave cat named Cruella for her black and white streaks. One night when someone left the d00rs open, Cruella patrolled the kennels to keep the dogs at bay, away from her kittens. One of her kittens was Maya, and she inherited her mother's ferocity.
Maisie joined us a few years later. Also a rescue cat, the only survivor of a family who died of diptheria, Maisie is skittish and fears losing everyone and everything. She needs special attention. Traveling upsets her--to put it so mildly. All three were born in Old Lyme CT, raised in New York City, and traveled with me to California when, after lifetimes on the east coast and with little warning to anyone including myself, we just picked up and moved west.
I haven't written about Maya's death--or Maggie's--until now because what is there to say except that they were the dearest girls and I loved them and to say I miss them is the understatement of my lifetime? They are together in the garden now. Maisie and I are alone, and we are trying. It is not easy. For so long we were four, and now we were two. We feel the loss. Yes, we do.
Right now Maisie and I are forming a new relationship. Because she was the third, the baby, she has never been the only kitty--the favorite kitty. And for the first time in her life she is both.
I received this message earlier today:
Hi Luanne, I just read your Veterans Day. It was very nicely done. My father, Lt John E Drilling, replaced your father as the Bombardier in the Simon Crew. He survived the crash near Rostock, Germany on August 25, 1944. My brother and I are going to Rostock on August 25, 2013 to attend a special memorial service for Lt Simon, Lt Dzanaj,Lt Barkell, and Sgt Saint. Jim Drilling
I was so moved to receive the note, all the more so because it arrived on Memorial Day weekend. Although I've never met Jim Drilling, we are members of the same "Band of Cousins." Our fathers served in World War II--flying with the Simon Crew at different times. My father trained in the States with these men. With John Simon as pilot, they trained in B-24 Liberators, then shipped overseas to North Pickenham, England, and flew many missions together.
My father and these men had gone through so much from the very beginning, and when he was transferred to a different lead crew, he refused to leave them until his new crew forcibly carried his belongings to their Nissan hut on the air base.
On one of the next missions Lt. John Simon and his crew were shot down. My father went through life believing all his friends had been lost. The story is more complicated than that. Rolland Swank, a researcher who works mainly through the U.S. Army Air Forces website, recently contacted me. He has been working with Lutz Müller, a teacher in Rostock Germany, to help Mr. Müller and his students uncover information about this and other WWII crashes. Rolland gave me this information:
Soon, on June 25, Little Night will be out in paperback. There's a new cover--different from the hardcover, which showed Poet's Walk in midnight blue wonder. This cover, propped up on my desk, draws my eye again and again. Two girls are hurrying along, holding hands, seemingly on their way to somewhere wonderful--one wears a crimson party dress, the other a carefree summer frock. They're sisters--there can be no doubt. It's the magic hour; the sun has gone down, but it still holds the day's golden light in its darkening blue. I wrote Little Night as an elegy to all sisters who are, or who have been estranged, who have deep childhood memories and love for each other, but whom life has torn apart. That's how it feels to lose a sister to estrangement--as if a limb has been ripped from your body, as if you're no longer the full person you once were. How can you be, who are you anymore, without your sister?
This week I watched the victim impact statements, given by Steven and Samantha Alexander, in the Jodi Arias trial in Maricopa County, AZ. I cried along with each as they addressed the jury because I could feel the pain in their words, the heartbreak and devastation over losing their sibling--their brother Travis. They spoke of how their family will never be the same with him gone.
Gone forever: unfathomable to think, to know, you'll never see your sibling again.
In Little Night Clare took action that Anne cannot forgive and Anne cuts her out. It's not death, but the estrangement is total--no contact for years. Years in sister terms are a lifetime. In real life we sometimes speak out, shout out, fail to bite our tongues, speak from the heart, speak from the gut, speak without thinking, speak after endless thinking--our intentions might be good, but they scrape our sister raw. She's not ready to hear. Or she'll never be ready to hear. You've gotten your facts wrong. You've attacked the man she loves. You've attacked her life and she'll never forgive you. She's out of there, and if you try to call she'll hang up and if you email she'll block your address.
These are ideas I explored in Little Night. What to say, how to act, is great action required when you think your sibling is in danger? The novel opens with Clare in prison. She has struck out with violence because, believing Anne's life was in danger, she attacked her sister's abuser. How do the sister's relationships go on from there? My mind is full of siblings who have lost each other. I followed a murder trial years ago. Ellen Sherman was murdered by her husband Ed, leaving behind a daughter, mother, sister, and friends. I keep thinking of her sister.
Domestic violence played a role in Ellen's death, as it does in Little Night. I know a lot about domestic violence, more than I wish I did. I've written about my experience in It Couldn't Happen to Me.
My thoughts go to my own family. In our case the missing sister is still alive. It's her choice to stay away. There is a special anguish knowing the sister you love so much is out there, but you can't reach her. In fact, you might have been the one to drive her away.
For now I look at the paperback cover, at those two lovely sisters, and I imagine they are taking care of each other, hurrying toward something wonderful. And they are going there together. It gives me peace, eases my heart.
I miss my mom. I think of her every day. There are so many things I want to talk to her about. She had a unique sense of humor and I'll catch myself laughing at sights or phrases or stories that I know she'd so enjoy. So much of what I love in life came from her: gardening, swimming in the ocean, cooking, poems, English literature, art. I didn't inherit her talent for drawing and painting (although both my sisters did,) but I do have her love of art galleries and museums. So often I'll see an exhibit and think of her, and wish she were there to see the artist's work with me. She loved the beach, and I'm sure that's one reason I'm happiest with bare feet, walking along the tide line. We would spend summer days building sandcastles, finding shells and sea glass, swimming to the raft, crabbing at the end of the beach. Often she would sketch while my sisters and I played and swam; frequently we'd all be reading, covered with sunscreen, lost in our books.
When I grew up and moved to New York City, I'd take Amtrak to Old Saybrook CT nearly every weekend. My mother would meet the train, no matter what time it was; Sundays came too soon, and I'd never want to leave. The photo above (taken in 1988 or so) shows us at the train station, waiting for the train back to NY. I read her expression and know she wasn't ready for me to leave. The picture brings back that moment and many emotions.
She died way too young, after a long illness. After her death I was filled with memories of nurses and hospitals and the great sadness of losing her slowly. But time has passed, and you know what? I rarely think of her illness anymore. The gift of time has been that I remember my mother being young and healthy, painting nearly every day, writing every night. I remember watching Julia Child on Saturday afternoons, then cooking dinner together--sitting around the table at Hubbard's Point, enjoying the meal with my sister and her family, laughing and talking and feeling that it would last forever, that our family would go on forever.
I wrote about her in an essay called "Midnight Typing." It appears in the collection What My Mother Gave Me, edited by Elizabeth Benedict. Please comment below for the chance to win a copy of the book as well as a canvas tote bag printed with the cover of The Lemon Orchard. I'd love to know about your mother, hear your stories and memories.
[UPDATE 5/12: Congratulations to Leela FitzGerald, our Mother's Day winner!]
Where is it for you? In The Lemon Orchard Julia drives cross-country from Old Lyme CT to Malibu CA. She's lived her whole life on the east coast, but something inside is driving her to find a new place, make sense of life's events, hold tight to her some treasured ideas and let go of others. She might not know it at first, but she's looking for a new home. Do you live in the same home town where you grew up? Have you moved half a world away? Do you love to visit the places you spent your childhood summers or have you explored new territories?
I've done both. I love the Old Lyme beach cottage my grandparents built, and I've also left the familiar behind to search out new places. It's not that one is better than the other; it's more a matter of listening to that inner voice and following where it leads. Home is where the cats are, a place to sit quietly to think and write and read, a comfy chair in the shade.
What is the place that you call home?
[UPDATE May 7: Congratulations Rachel Hartwig on winning this week's drawing!]
Amazon • Apple • Barnes & Noble • IndieBound
In The Lemon Orchard, Julia drives cross-country with Bonnie Blue--the family dog, a thirteen-year old Blue Merle Collie that had belonged to her daughter Jenny. They left Old Lyme CT and drove all the way to Malibu CA--from the Atlantic to the Pacific--to housesit Julia's uncle's villa in a lemon orchard in the Santa Monica Mountains. I loved imagining that road trip because I know what good companionship and comfort animal friends can be. Bonnie, the collie in the novel, was inspired by a real-life Blue Merle collie that I knew when I was young. She lived with the family across the street; I babysat for the children and hung out at their house almost every day. Bonnie was a sweet, beautiful dog. Her coat was lovely--long and flowing, marked with shades of gray and blue. She ran through the fields with us, tromped through deep snow when we'd hike to to skating pond and sledding hill, slept at my feet after the kids went to sleep, rested her chin on her paws and gazed up with such soulful eyes, I could almost read the love she had for that family. So, two Bonnies--one that lives in my heart and memory, another that lives on the pages of The Lemon Orchard--soothing Julia, connecting her with her daughter Jenny. Or maybe they are one and the same... Please comment below to be entered in our weekly drawing. Good luck!
[April 30: Congratulations to Alicia Mylott for winning this week's drawing!]
Boston belongs to school kids everywhere. When we were young, at R. J. Vance Elementary in New Britain, Connecticut, we could count on two annual field trips: one to the Boston Freedom Trail, the other to the Boston Museum of Science. At the museum we saw chicks hatching in incubators, fuzzy new life, and Foucault’s Pendulum, proving that the earth is not stationary but in constant rotation. The Freedom Trail took us from Boston Common past historic sites including—this sticks in my mind—the Granary Burying Ground with Mother Goose’s grave. Although I’ve never lived in Boston, yesterday’s bombing felt personal. I think it did to everyone. The Boston Marathon is one of the world’s great sporting events. I can picture the finish line and feel the emotions of joy, exhilaration, exhaustion—people cheering their loved ones on, eight-year old Martin Richard of Dorchester waiting, watching for his dad to run past. The cruelest bomb, if there is such a thing, placed in a location of celebration and victory, is designed for maximum injury, destruction, and trauma. News cameras showed slashed bodies and pools of blood. Graphic, visceral images I can’t get out of my mind. And that place: that familiar stretch of Boylston Street, so near the Boston Public Library, where I spent hours researching and writing a never-published first book that I walked across the Common to hand-deliver to a publisher on Park Street. 951 Boylston Street once housed the Institute of Contemporary Art, where one literary evening I saw Tobias Wolff introduce Mary Robison, and she stood at the podium reading new work and drinking a beer, and the moment is emblazoned in my memory--a great and raucous gathering to celebrate a new collection of short stories. My parents spent their wedding night at the Copley Plaza Hotel—many parents did, many friends did. My niece won a poetry prize at Regis College, and we held a celebratory dinner at a restaurant on Boylston Street. Our family sat around a big table with friends and young poets, and afterwards, in cold spring snow, we walked outside, right past the spot where yesterday the bombs went off. There are moments in life you’ll always remember: where were you when you heard? Equally there are places in life that will gain new meaning after a tragedy—we were right there, we walked down that very street. This is human, a drawing together, touching the spot where others suffered, connecting through our hearts. Right now I’m in California. The sky is bright blue. The breeze blows off the Pacific, not the Atlantic. But my heart is in New England. I can see the spring trees just starting to bud, can imagine sunlight reflecting on the McKim Building of the Boston Public Library. I can picture the yellow and red sandstone campanile of New Old South Church—shown so prominently in the news photos—towering over Boylston Street. A good friend works at Massachusetts General Hospital, helping trauma victims, and I know that and other hospitals are flooded with those needing help. I’m far away, but I’m also right there, my heart and thoughts. So many of us are. Love to you, Boston.
Welcome friends!! Please comment on this thread the chance to win an ARC of The Lemon Orchard as well as a special tote bag. We will notify the winner on Monday April 22. Good luck! Love, Luanne
[UPDATE 4/22: Congratulations to Belinda Daniels Guy our latest giveaway winner! We hope she enjoys her advance copy THE LEMON ORCHARD as well as a tote bag featuring the novel's cover.]